The cast of Once Upon A One More Time at Greasepaint did Britney Spears justice
with their performance. For anyone confused by the mention of the pop icon, you are likely
unaware of this musical’s creative premise. The story follows Cinderella as she longs for
more in her story and discovers feminism. She rebels, rallies, and rights her world, while an
obnoxious prince, an opportunistic stepmother, and a strict narrator contest her. The score
comes entirely from Britney Spears’ legendary discography, challenging actors to blend pop
songs into a musical theatre story.
Riley Gerkin as Cinderella steered the story with so much confidence. She never
seemed unsure; whether she was singing, dancing, or acting, she gave 100% of her heart
to what she was doing. Her strongest moments were found when Cinderella was longing for
more. She made you understand that she wasn’t truly in her happily ever after.
Rob Foley’s Prince Charming was the ideal introduction to this story’s wackiness.
He charmed the crowd with his clear vocals, and his arrogance and comedic abilities got a
lot of positive audience response. But he also knew exactly when to ground the character
for more emotional moments.
Riley-Elaine Howell’s Stepmother was hilarious and scene-stealing without even
trying. Her dry delivery and attitude towards Cinderella created so many comedic scenes.
However, her vocals are not to be underestimated. “Toxic” was one of the show’s highlights
due to Howell’s impeccable technique and devilish acting.
Sebastian Girodroux as the Narrator commanded the stage and made sure
everyone knew who ran the show. His strong acting presence matched his powerful vocal
performance, which crafted a fully formed character.
Hallie Merril as the Fairy Godmother (OFG) was practical and contrasted well with
this fantastical world. Her bubbly energy translated to the character’s magical essence that
led her to be a great guide to our protagonist.
Jacquelyn Fuchs’ Snow White was an incredibly talented foil to Cinderella. Her
blissful naivete about her environment made her the perfect contrast to the main character.
Rounded out with a stunning voice and natural charisma, Snow was definitely an audience
favorite.
Ella Silver’s Belinda and Maggie Chandler’s Betany were the best evil sidekicks a
musical could want. Their comedy, obnoxiousness, and brattiness caused every moment
with them on stage to be hilarious. The audience couldn’t help but burst out laughing during
“Work Bitch” due to their commitment to the characters.
The show could not have been made so well without the artistic staff. Highlights
include strong harmonies and stable vocals credited to the music director, Mary Ellen
Loose. Entertaining choreography that belongs to Taylor Penn, who left many nods to the
original staging’s iconic moves. Finally, the costumes were recognizable and very functional,
with some on-stage quick changes.
To conclude, this production was campy, energetic, and brought so much joy to
every audience member who watched it. They definitely had great direction from Angelica
Howard, and I hope the rest of Greasepaint’s season will strive to match this production’s
overall jubilance.